Into Your Dance (Not Into Your Stereotypes)

 

Director: Friz Freleng

Summary: Captain Benny's Showboat is in town, featuring a Porky Pig-looking conductor who gets booed off the stage (until he dons a flimsy disguise) and an amateur hour featuring the cow teacher Miss Cud from "I Haven't Got a Hat," a tough-guy boxer reciting sweetheart poetry, and a stuttering anthropomorphic dog reciting the titular song and driving away the audience.

The Channel: Cartoon Network (don't know the exact show this would have been on. Judging by the fact that it's a mid-1930s musical short with none of the well-known characters, I'm going to assume it ran on The Acme Hour, since a lot of obscure WB cartoons aired there, particularly on the weekday 6:00 in the morning version that actually ran for an hour with commercials, not the two-hour, Saturday version where the cartoons were a bit more on the mainstream, "I remember seeing that as a kid on [insert channel/home media release here]" side).

Part(s) Edited: A little light in the edit department today. All that was edited when this aired on Cartoon Network (which didn't last very long) was the scene of the four-man minstrel show singing the title song as people pour in to Captain Benny's Showboat.

How It Plays Edited/Video Comparison: I think the video comparison says it all. While the black-out here isn't as quick as what Cartoon Network usually does with its scene transition edits, I feel like I did capture the spirit of the edit:

Availability Uncut: On physical media, it's available on the Golden Age of Looney Tunes laserdisc set (volume 5, side 4) and as a special feature on the DVD version of the movie, Annie Oakley, starring Barbara Stanwyck, Preston Foster, and Melvyn Douglas. Over on streaming and digital media, it's surprisingly available uncut, uncensored, and restored/remastered on HBO Max (now known as "Max"), despite "Those Beautiful Dames" also being available on the same platform, but with cuts to outdated black caricatures. And believe me: minstrel show men (whether they're actual black men or white men in blackface, since that's what a minstrel show is/was) are just as stereotypical to show in the modern day as a black girl in pickaninny braids. What makes one more acceptable to show than the other?

Buddy's Theatre (Banned From Re-Release)

Director: Ben Hardaway

Summary: In essence, this is a toned-down version of "Bosko's Picture Show." We have Buddy as the projectionist at a movie theater (Bosko, in the former cartoon, was the organist back when movie theaters actually had sing-along segments as part of the coming attractions and B-level entertainment [the cartoons, the live-action shorts, the second-run movies, etc] before the feature presentation), a lot of newsreel gags (also from "Bosko's Picture Show," the hero's girlfriend starring in a movie, and the hero trying to save her by messing with the film (and pissing off anyone who paid top nickel to see it). There are no jokes about Hitler trying to kill Jimmy Durante because he has that long nose stereotypically associated with Jewish people, Buddy doesn't call the villain (who is an escaped gorilla rather than the mustache-twirling, Snidely Whiplash type associated with the romantic melodramas of the time) a "dirty fawk," and there's no running gag involving the original four Marx Brothers chasing after dogs and singing "Daisy" while riding a four-man tandem bike.

The Channel: Nickelodeon (Nick@Nite version of Looney Tunes on Nickelodeon)

Part(s) Edited: According to the Looney Tunes Fandom wiki, there's supposed to be a scene featuring African natives running towards the audience (I'm assuming as part of the "Coming Attractions" string of gags), which was recycled from "Buddy of the Apes", which was on Nickelodeon's list of Warner Bros. cartoons they weren't allowed to show on Looney Tunes on Nickelodeon. It makes sense why Nickelodeon would cut that part.

How It Plays Edited: To be honest, the edit is seamlessly done. If there's something obviously missing, then I haven't picked up on it, because I currently can't find the uncut version. If anyone out there has it or knows where I can find it, then I will be forever grateful. To get the search started, I'm going to upload the edited version of this short (actual edited version. I didn't alter this in any way) on the blog so anyone out there has a good starting point in their search:

Availability Uncut: As of this writing (in 2024), there's no release of an uncut, uncensored, remastered, and restored version (and, if Buddy truly is one of the least-loved Warner Bros. characters due to being bland and boring and not because of outdated racial/ethnic stereotypes or, in the case of Pepe Le Pew, making fun of sexual harassment, why would there be demand for it, outside of the need for completion?), but I do have faith that an uncut version will resurface. My guess? It'll probably happen when this short enters the public domain.

EDIT: Thanks to Anthony's Animation Talk review for this cartoon, I found out where exactly the African native scene was supposed to be in the fabled uncut version (which isn't a fable, but adding "fabled" to it does give it a bit of mystery). After the joke about Mausoleum (Mussolini) drafting literal toddlers as soldiers for his fascist army (with one asking him in gibberish to either leave the army or go to the bathroom, I don't know), there's a newsreel story about Liverpill (Liverpool), England seeing economic recovery as shoppers are flocking to early dollar day sales in the city's stores, then we cut to the recycled scene from "Buddy of the Apes" (and later, a colorized version shown on Frank Tashlin's "Speaking of the Weather") of the angry natives running towards the camera. Like I said: Nickelodeon did a fine job of seamlessly cutting it, but since the scene was part of a string of gags that had no bearing in the plot, there wasn't much the audience was missing, especially since the joke does feel kind of dated to start with. 

Click here to see the version shown (in clips) on Anthony's Animation Talk.

Those Beautiful Dames (A Shamn Dame)

 

Director: Friz Freleng (credited as “Isadore Freleng”)
Summary: This is more-or-less "The Shanty Where Santy Claus Lives," only it's about an orphan girl who wishes to have toys, but is too poor to buy one. Instead of Santa coming to give her toys, the toys come to her run-down shack to cheer her up by giving her a home makeover (a modest one for the 1930s) and throwing her a party with cake and ice cream. Cute kids' fantasy stuff.
The Channel: unnamed syndication, Cartoon Network, and streaming (HBO Max [a.k.a Max])
Part(s) Edited/Video Evidence: Today, we have a two-fer (or three-fer, rather, but I only have evidence of two channels editing this short). Rather than explain it by writing it down (and because I recently installed DaVinci Resolve and gotten the hang of editing on non-linear video software, which is easier than what I used to do back when I was in film school), you can click here to see the video (if anything happens to the video, I will re-edit this blog).

How It Plays Edited: The Cartoon Network version where the Jazz Bow band scene was replaced with the scene of the toys gathered around the girl and the girl looking amazed that the toys she had seen in the store window are here and made over her broken-down shack has the most obvious "replace problematic scene with more benign footage" edit I've seen...so far (I'm not at the later cartoons yet). The edit done to the scene of the pickaninny girls next to the chocolate cake is similar (and looks and sounds obvious that something's missing) on both the Cartoon Network and (HBO) Max/streaming version, with the only notable differences being that the streaming version has more vibrant colors, the sound is clearer (the better to pick up on audio jumps, my dear), and there's no station identification bug at the bottom right of the screen.

Availability Uncut: Until a restored, remastered version that's uncut and uncensored resurfaces, your best bets to seeing this uncut are on the Golden Age of Looney Tunes laserdisc (volume 5, side 6) or as a special feature on the 2006 DVD release of the film Dames, starring Ruby Keeler and Dick Powell.

Buddy's Circus (Ubangi The Drum Slowly)

 

Director: Jack King

Summary: Buddy owns a circus filled with funny animals, non-white natives who can do strange things with their bodies, and a white baby who wandered in on the acts.

The Channel: Nickelodeon (Nick@Nite version of Looney Tunes on Nickelodeon)

Part(s) Edited: Every scene involving the Ubangi circus performers (including a scene where one of the aerial acrobats falls and catapults a baby off a seesaw), Elastiko the Indian Rubber Man, and Asbesto the Human Stove (the last one is not only an edit to get rid of outdated African/otherwise non-white native caricatures, but also an edit for dangerous behavior involving swallowing fire. This is going by my observations, since this was not mentioned on the old Censored Cartoons Page or the Looney Tunes wiki) was cut.

How It Plays Edited/Video Comparison: The first part with the Ubangi Brothers (though the one with oranges for breasts and a skirt is very much a woman. Not a particularly flattering depiction of an African native woman, but what do you expect from 1934?), Elastiko the Indian Rubber Man, and Asbesto the Human stove being cut is no big loss, since it's just a compilation of gags with no real bearing on the story. The second part with the baby getting catapulted...the only criticism I can give is that there's a minor continuity error that not even a diagonal wipe effect that looks like it was part of the cartoon can save:

Availability Uncut: Surprisingly, this is available on home media, uncut, uncensored, and remastered. Your choices are either the Looney Tunes Golden Collection (volume six) DVD set or the Blu-ray version of the Wheeler and Woosley film, Kentucky Kernels. It's probably not going to be on streaming or digital download any time soon, so get it while it's hot on disc.

Rhythm in the Bow (The Quartet Offensive)

Director: Ben Hardaway

Summary: Lots of musical gags involving Great Depression-era hobos and the trains on which they hitch rides...at least until the lead hobo who can play the fiddle gets kicked off the train and wanders the countryside, where an angry dog goes after him.

The Channel: unnamed syndication and Nickelodeon (Looney Tunes on Nickelodeon, Nick@Nite edition) [Allegedly]

Part(s) Edited: Now, we come to the part of the job I love when it comes to blogging about censored cartoons: discovering and debunking claims. Yeah, I may have done it before with past cartoons, but this one is special, because Nickelodeon actually aired this one uncut.

According to the Looney Tunes wiki, Nickelodeon once ran this (either after it aired uncut or before. It's currently unknown) with a cut to the part where the four hobos singing the title song go through a tunnel and come out in blackface. It also aired edited on syndicated TV versions that most likely aired as filler on unnamed and long-gone local stations, but it's the Nickelodeon version that gets me, because, while looking for an uncut version to do my compare/contrast videos, I found a version from an airing of Looney Tunes on Nickelodeon that was uncut and uncensored, well, except for this opening card seen here:

How It Plays Edited/Video Comparison: Because I love you (and want to show you evidence that this did air uncut on Nickelodeon), I'm going to show you the full cartoon (click here) and the compare/contrast video (seen below):

What Wasn't Cut That Should Have Been Cut: Some of the dangerous behavior involving trains, particularly the hobo skating behind the moving train. Oh, wait. It was the 1990s and concerns over people getting killed by trains (either because of suicide or just being careless) wasn't a thing yet. Yeah, that can stay.

Availability Uncut: As of 2024, this doesn't have an official home media or streaming release, which is odd, because, outside of the blackface part, there's nothing really offensive about it. Archive.org has the Nickelodeon uncut version...for now, anyway.

Buddy The Woodsman (A Lesson in Chinese Cookery)

 

Director: Jack King

Summary: Just the typical post-Bosko musical fluff, with Buddy as a lumberjack, dealing with chopping trees, Chinese camp cooks, and a bear that wandered in from the forest.

The Channel: Nickelodeon (Looney Tunes on Nickelodeon, Nick@Nite version)

Part(s) Edited: Though Nickelodeon does edit to get rid of outdated East Asian (read: Chinese and Japanese, mostly) stereotypes (with some exceptions), they kind of split the difference here. We do get to see scenes of Chinese camp cooks saying nothing, but the part where one of them rings the triangle, announcing dinner in what I assume is broken English (sounds like straight-up, garden variety gibberish, but it could be interpreted as broken English with a Chinese [Mandarin, mostly. Cantonese and other dialects don't get the representation in Western film that they should] inflection) was cut. The Censored Cartoons Page and the Looney Tunes wiki do say that the edit was done with an obvious computer wipe effect, but the edited version I saw on Archive.org (which may or may not still be uploaded) had it as a simple cut that anyone can do, including me when I created the compare and contrast video.

How It Plays Edited/Video Comparison: It...actually plays pretty well without the scene. As mentioned before, there was an edited version on Archive.org, but it might have been taken down and since I didn't download it as proof that it was edited on Nickelodeon, I decided to recreate the cut to the best of my ability. As always, here's the video:

What Wasn't Cut That Should Have Been Cut: Definitely the totem pole creature dance. Not just because it could be offensive to indigenous peoples who have totem poles as part of their culture, but the scene just ran too long. I know Buddy cartoons have a reputation for being boring, but this is ridiculous.

Availability Uncut: As of 2024, there's no official release of this (and, because of the outdated ethnic stereotypes, there probably won't be, unless someone has the guts to use the content warning from the Looney Tunes Golden Collection DVDs from volumes three to six for future home media releases and streaming). I found the uncut version on Archive.org (as well as the edited version that used to be there), so that's pretty much where it will be until DCMA requests take it down.

How Do I Know It's Sunday? (Why Should You Care It's Edited)

 

Director: Friz Freleng

Summary: It’s a “products/label mascots come to life to sing the title song and perform in a closed store” cartoon, but, instead of taking place at night, it takes place on a Sunday during daylight hours, when most, if not all, stores would be closed so people can go to church and rest.

The Channel: Nickelodeon (Nick@Nite version of Looney Tunes on Nickelodeon, because where else would this air? I think I would have remembered it on the daytime version where it was nothing but the post-1964 Daffy Duck/Speedy Gonzales cartoons, the post-1964 Road Runner and Wile E. Coyote cartoons made without Chuck Jones’ involvement, the redrawn- and computer-colorized Porky Pig cartoons from the 1930s, the Pepe Le Pew shorts made after 1949’s “For Scent-imental Reasons”, and the semi-forgotten, “underrated gems” shorts -- both one-shot and with established characters --  that aired between 1949 and 1963).

Part(s) Edited: Just two scenes of outdated black/African-American stereotyping:

• The black chef on the Scream Wheat (Cream of Wheat) box singing along with the mammy caricature on the box of Aunt Eliza (Aunt Jemima, now known as Pearl Milling) during the title song. I don’t know if the shot of them in the background was cut too, but, for the purposes of the approximation, I’m going to leave it in because I feel that that’s what Nickelodeon did.

• The kid mascots using the ceiling fan as a merry-go-round -- not because it’s dangerous behavior that can easily be imitated by young, impressionable viewers, but because there are two black caricatures riding on the ceiling fan blades.

How It Plays Edited/Video Comparison: As I've mentioned before: cartoons like this don't lose much in terms of story or plot when it comes to being edited for either time or content (mostly content). With this one, however, I'm amazed there weren't more cuts to outdated racial and ethnic stereotypes. I'm guessing it would have led to a very choppy and incoherent cartoon if Nickelodeon went in that direction. If I wanted a musical cartoon that's severely edited to get rid of outdated racial and ethnic stereotypes, I can watch the Cartoon Network cut of "September in the Rain" (and I have. Thanks a lot, Acme Hour). Here's the approximation compare and contrast video:

Availability Uncut: If you can believe it, this actually has a home media release -- two of them, in fact. It was first released on the Looney Tunes Collector’s Edition VHS (volume 5’s “Musical Masterpieces”) in 2000. Eight years later, it was released on DVD as part of the sixth and final Looney Tunes Golden Collection set (it’s on disc three, which is dedicated to the Bosko, Buddy, and one-shot musical black and white cartoons).