Into Your Dance (Not Into Your Stereotypes)

 

Director: Friz Freleng

Summary: Captain Benny's Showboat is in town, featuring a Porky Pig-looking conductor who gets booed off the stage (until he dons a flimsy disguise) and an amateur hour featuring the cow teacher Miss Cud from "I Haven't Got a Hat," a tough-guy boxer reciting sweetheart poetry, and a stuttering anthropomorphic dog reciting the titular song and driving away the audience.

The Channel: Cartoon Network (don't know the exact show this would have been on. Judging by the fact that it's a mid-1930s musical short with none of the well-known characters, I'm going to assume it ran on The Acme Hour, since a lot of obscure WB cartoons aired there, particularly on the weekday 6:00 in the morning version that actually ran for an hour with commercials, not the two-hour, Saturday version where the cartoons were a bit more on the mainstream, "I remember seeing that as a kid on [insert channel/home media release here]" side).

Part(s) Edited: A little light in the edit department today. All that was edited when this aired on Cartoon Network (which didn't last very long) was the scene of the four-man minstrel show singing the title song as people pour in to Captain Benny's Showboat.

How It Plays Edited/Video Comparison: I think the video comparison says it all. While the black-out here isn't as quick as what Cartoon Network usually does with its scene transition edits, I feel like I did capture the spirit of the edit:

Availability Uncut: On physical media, it's available on the Golden Age of Looney Tunes laserdisc set (volume 5, side 4) and as a special feature on the DVD version of the movie, Annie Oakley, starring Barbara Stanwyck, Preston Foster, and Melvyn Douglas. Over on streaming and digital media, it's surprisingly available uncut, uncensored, and restored/remastered on HBO Max (now known as "Max"), despite "Those Beautiful Dames" also being available on the same platform, but with cuts to outdated black caricatures. And believe me: minstrel show men (whether they're actual black men or white men in blackface, since that's what a minstrel show is/was) are just as stereotypical to show in the modern day as a black girl in pickaninny braids. What makes one more acceptable to show than the other?