The Hunter's Trilogy (Shoot to Kill, Censor to Annoy)

Similar to the FAQ/Q&A about The Censored Eleven (and “Goin’ to Heaven on a Mule”) and the Banned Bugs Bunny 12 from June Bugs 2001, the following is a special Censored Cartoons Blog entry that explores three or more Warner Bros. cartoons that have had similar edits to them. As mentioned on the “Under Construction” post, these are the “special” episodes/installments rather than the usual ones that cover one short and were created because exploring the cartoons one at a time can be tedious and, if a Looney Tunes or Merrie Melodies short has a common edit with another or is part of a trilogy or tetralogy (NOT “quadrilogy,” damn it!) that has had all or most of their shorts edited, then why not explore that?

Director: Chuck Jones (credited as “Charles M. Jones”)

Summary: For people who remember this from childhood, these cartoons need no introduction. For the unfortunate few and counting who haven’t seen these, all three of them have the same story: it’s duck hunting season. Daffy tries to get out of it by claiming it’s rabbit season and setting Bugs up to get shot by Elmer Fudd. Through wordplay, emotional trickery, and pronoun trouble (which, thanks to traditional gender norms being turned on their head, means something else entirely these days), Daffy ends up bearing the brunt of the gun-flavored slapstick in all three shorts. For a full look at the Hunter’s Trilogy and how they are considered iconic in the world of classic American animation, check out these videos from the YouTube channel, Anthony’s Animation Talk (or really, any animation video essay...or regular, written/typed essay...or audio DVD commentary):

Rabbit Fire

Rabbit Seasoning

Duck! Rabbit, Duck!

The Channel(s): CBS, ABC, The WB, both the FOX and syndicated version of Merrie Melodies Starring Bugs Bunny and Friends, and Nickelodeon (“Rabbit Fire” only)

Part(s) Edited: Daffy getting shot, of course. That would be the easy way to put it and, yes, I wish I could just leave it at that, but there are exceptions/nuances that explain a bit more.

The ABC and Merrie Melodies Starring Bugs Bunny and Friends version replaced the scenes of Daffy getting shot with freeze-framed shots of Bugs (mostly), though the approximation I did for “Rabbit Fire” didn’t do that much. I’m assuming the freeze-framed shots of Bugs were more for “Rabbit Seasoning,” because that’s the one I remember being edited like that on ABC.

CBS and The WB, in contrast, cut all scenes of Elmer shooting Daffy point-blank in the face (and possibly, but most definitely, Daffy getting shot while staring down the barrel of Elmer’s rifle [the “no more bullets” gag] on “Rabbit Fire” and Daffy getting shot by a circle of hunters at the end of “Duck! Rabbit! Duck!”), which made “Duck! Rabbit! Duck!” kinda choppy and somewhat incoherent. Coincidentally, early ABC versions also cut “Duck! Rabbit! Duck!” the same way it was done on CBS and The WB as they didn’t have the technology back then to replace problematic footage with benign, alternate footage. As obvious as the alternate footage looks, straight-up cutting it, as you’ll see in the re-enactment videos I did, is worse (the cartoon runs shorter when Daffy getting shot is cut, as opposed to going to a freeze-framed shot to make it look like the gunfire is happening off-screen). The old ABC version also cut Daffy warming himself over a fire using the "Duck Season" signs as kindling (I...don't know the rationale behind that. It could be an edit because the censors don't want kids to play with fire [edits to get rid of dangerous, imitable behavior were common on 1990s American TV], but the viewer doesn't see Daffy actually burn the signs on-screen) and Elmer shoving his gun in the back of Bugs' head after Bugs makes that comment about how he never knew that molasses runs in January. I don't know if the new ABC edited version still edited those scenes or reinstated them, but still cut Daffy getting shot, but I'm going to assume that's what happened until someone out there says otherwise.

Then there’s the Looney Tunes on Nickelodeon version. “Rabbit Seasoning” and “Duck! Rabbit! Duck!” were left uncut, though I’m going to assume that they didn’t air much as Looney Tunes on Nickelodeon didn’t air the popular shorts much; just the second- to fourth-tier fare that’s either considered more appealing to the more serious fans or are examples that not every Looney Tunes cartoon is a classic. However, “Rabbit Fire” was only edited to remove the “No More Bullets” scene, where Elmer thinks he ran out of bullets, Bugs tells Daffy that Elmer’s out of ammo, Daffy comes back to personally check (by staring down the barrel of the gun), and gets shot by the “one buwwet weft.”

How It Plays Edited/Video Comparison: I’m going to let the videos speak for themselves. For convenience, I'm grouping the videos by title:

Rabbit Fire

ABC and Merrie Melodies Starring Bugs Bunny and Friends version:

CBS and WB version:

Compare and Contrast -- Uncut vs. Nickelodeon version:

Rabbit Seasoning

ABC and Merrie Melodies Starring Bugs Bunny and Friends version:

CBS and WB version:

Duck! Rabbit, Duck!

Old ABC version (where most of the shooting scenes are cut completely):

New ABC version and Merrie Melodies Starring Bugs Bunny and Friends version (where shooting scenes are replaced with freeze-framed shots of Bugs):

CBS and WB version (same as old ABC version, but with more scenes left in):

What Grinds My Gears About the Edit: Well, as a Looney Tunes fan, I can say that the fact that the shooting edits are obvious and that merely editing them out of a cartoon isn’t going to fix any issues America has with guns. All these censors are doing is ruining good entertainment, which can drive someone into a shooting spree or gun-induced suicide if they’re mentally deranged enough. However, I’ve only seen “Rabbit Seasoning” edited on ABC and the alternate footage cuts, while obvious, doesn’t shock and appall me the same way “Hare Trimmed”’s edits do or how Cartoon Network suddenly editing “For Scent-imental Reasons” after showing it uncut shocks and appalls me. I guess it’s because I saw “Rabbit Seasoning” uncut elsewhere (mostly on video) and the other two cartoons I saw uncut on Cartoon Network as a teenager. Your experience may vary.

Availability Uncut: The trio is considered one of Warner Bros.’s most iconic cartoons in the Looney Tunes/Merrie Melodies filmography, so it’s not hard to find it uncut and uncensored anywhere. For a full list, click on one of the three links below:

Rabbit Fire Availability

Rabbit Seasoning Availability

Duck! Rabbit, Duck! Availability

‘Til next time…

How Do I Know It's Sunday? (Why Should You Care It's Edited)

 

Director: Friz Freleng

Summary: It’s a “products/label mascots come to life to sing the title song and perform in a closed store” cartoon, but, instead of taking place at night, it takes place on a Sunday during daylight hours, when most, if not all, stores would be closed so people can go to church and rest.

The Channel: Nickelodeon (Nick@Nite version of Looney Tunes on Nickelodeon, because where else would this air? I think I would have remembered it on the daytime version where it was nothing but the post-1964 Daffy Duck/Speedy Gonzales cartoons, the post-1964 Road Runner and Wile E. Coyote cartoons made without Chuck Jones’ involvement, the redrawn- and computer-colorized Porky Pig cartoons from the 1930s, the Pepe Le Pew shorts made after 1949’s “For Scent-imental Reasons”, and the semi-forgotten, “underrated gems” shorts -- both one-shot and with established characters --  that aired between 1949 and 1963).

Part(s) Edited: Just two scenes of outdated black/African-American stereotyping:

• The black chef on the Scream Wheat (Cream of Wheat) box singing along with the mammy caricature on the box of Aunt Eliza (Aunt Jemima, now known as Pearl Milling) during the title song. I don’t know if the shot of them in the background was cut too, but, for the purposes of the approximation, I’m going to leave it in because I feel that that’s what Nickelodeon did.

• The kid mascots using the ceiling fan as a merry-go-round -- not because it’s dangerous behavior that can easily be imitated by young, impressionable viewers, but because there are two black caricatures riding on the ceiling fan blades.

How It Plays Edited/Video Comparison: As I've mentioned before: cartoons like this don't lose much in terms of story or plot when it comes to being edited for either time or content (mostly content). With this one, however, I'm amazed there weren't more cuts to outdated racial and ethnic stereotypes. I'm guessing it would have led to a very choppy and incoherent cartoon if Nickelodeon went in that direction. If I wanted a musical cartoon that's severely edited to get rid of outdated racial and ethnic stereotypes, I can watch the Cartoon Network cut of "September in the Rain" (and I have. Thanks a lot, Acme Hour). Here's the approximation compare and contrast video:

Availability Uncut: If you can believe it, this actually has a home media release -- two of them, in fact. It was first released on the Looney Tunes Collector’s Edition VHS (volume 5’s “Musical Masterpieces”) in 2000. Eight years later, it was released on DVD as part of the sixth and final Looney Tunes Golden Collection set (it’s on disc three, which is dedicated to the Bosko, Buddy, and one-shot musical black and white cartoons).

I've Got to Sing a Torch Song (The Trouble is Not Your Radio Set...)

 

Director: Tom Palmer (planned and credited); Isadore “Friz” Freleng (finished and uncredited)

Summary: The antics of a radio station run by Ed Wynn, featuring many racial and ethnic caricatures enjoying the broadcast worldwide and the title song sung by caricatures of Greta Garbo, ZaSu Pitts, and Mae West. As far as Looney Tunes/Merrie Melodies fans are concerned, this one is under-the-radar for good reason. It was made when Harman and Ising finally left Warner Bros. Studios and Leon Schlesinger was desperately scrambling for replacement talent. Tom Palmer (the original director) was supposed to be that talent, but his original versions of this and “Buddy’s Day Out” were so bad that Friz Freleng (back when he was credited as either “Isadore Freleng” or “I. Freleng”) was called to salvage the trainwrecks.

The Channel: Nickelodeon (Nick@Nite version of Looney Tunes on Nickelodeon)

Part(s) Edited:

The old Censored Cartoons Page listed this short’s edits as, “Scenes of the Chinese police and African cannibals were edited out of this cartoon's black-and-white print.” 

And, they are right: there was a scene featuring Chinese police officers sleeping in a rickshaw and tying up the police radio transmitter so they won't be bothered by their boss when he calls for all cars to report to an unknown crime that was cut when Nickelodeon aired this as part of their Nick@Nite version of Looney Tunes on Nick (original airdate: August 4, 1991. The Nick@Nite Looney Tunes on Nickelodeon came on between 1988 and 1992 while the installment show itself lasted until 1999, though I never saw Looney Tunes on Nickelodeon after 1996, mostly because the cable wasn’t on much at my house and mostly because this was when Nickelodeon was airing more of its original programming rather than what they had imported from other countries and syndicated domestically), but there was only one scene featuring an African cannibal (just one, not a group of them), and that was the scene of the African cannibal tuning in to a cooking show on his skull radio and adding mustard and salt to his stew of white explorers (shown as caricatures of 1930s vaudeville and film comedians Bert Wheeler and Robert Woosley) before stirring them.

And th-th-th-that’s not all, folks! The good people who used to run the Censored Cartoons Page forgot to mention two more edits that Nickelodeon did:

• The scene of the Bing Crosby caricature Cros Bingsby crooning, "Why Can't This Night Go On Forever?" cut the brief shot of college coeds (some of which are shown in skimpy lingerie) listening to the broadcast, though the old spinster hugging and kissing her radio while listening to the broadcast as well wasn’t censored.
• The sequence of the radio show reaching international audiences had a scene of an Arab sheik shooing away his belly-dancing concubine and switching over to a broadcast of Amos 'n Andy in the uncut version. Nickelodeon’s version redubbed the Amos ‘n Andy broadcast with music from the beginning of the short.

How It Plays Edited:

1) The Cros Bingsby/coed part: Other than a mildly obvious audio skip (and the hypocrisy of leaving in the old spinster making out with a radio when the college coed part wasn’t as sexually provocative as Nickelodeon’s cut makes it out to be), this isn’t too bad.

2) The Chinese police/cannibal part: Okay, the hypocrisy of this cut is starting to annoy me. They left in the Inuit/Eskimo man listening to the radio and nearly getting swallowed by a whale. I can only handle one instance of selective censorship at a time.

3) The Amos ‘n Andy redub: Eh, the music makes the scene feel a bit off. Why would the sheik shoo away his concubine just to listen to some music when he was already listening to music? I guess it can be written off as, “He was sick of the music from his country and wanted to listen to something different, since this is a sequence showing Ed Wynn’s radio show hitting international audiences,” but even that’s pushing it.

And what’s odd about all of this is that I was given the edited Nickelodeon copy from a tape trade and a few years later, the cartoon itself was released on DVD (see “Availability Uncut” below), so I did what every amateur animation critic should do: I watched them side by side to see what was cut and what wasn’t. The old Censored Cartoons Page, sadly, didn’t correct the mistake, so I had to make do with the Looney Tunes Fandom wiki and, of course, this blog here.

Video Comparison: The video was too big to load on the blog, so click here to see for yourself. (EDIT: 11/7/25: I'm going to redo the compare/contrast video on this, as I did a bad job on it the first time. Since this is one of my most popular posts, stay tuned for a new version).

Availability Uncut: This under-the-radar short surprisingly has been released on physical media. It’s on the DVD and Blu-ray version of the film Gold Diggers of 1933 (since the title song is also heard in the movie) and it’s on the fifth volume of the Looney Tunes Golden Collection DVD set. Archive.org has it online (for now), but it’s not on YouTube, unless you want to see clips of how it was censored on Nickelodeon or one of the audio commentary reviews from Anthony’s Animation Talk.

Bosko's Picture Show (Hit-ler and Miss, or Meet the Fawkers)

 

Director: Hugh Harmon and Isadore "Friz" Freleng

Summary: In this, the last Bosko short made for Warner Bros/Leon Schelsinger studios, Bosko shows viewers what a night at the movies was like back in the early 1930s. There were sing-alongs with actual in-house organ players, a newsreel showing world events, a short film featuring comedy duo Laurel and Hardy (though some theaters showed other shorts from comedy duos -- and trios, in the case of The Three Stooges), and a melodrama where Honey is in danger of being kidnapped by Dirty Dalton (the cur!).

The Channel: Nickelodeon (Looney Tunes on Nickelodeon -- Nick @ Nite version; as of the second airing)

Part(s) Edited:

• The “Out of Tone” newsreel sequence is missing the story of a Hollywood screen lover (Jimmy Durante) spending his vacation in Germany getting chased by Adolf Hitler (in what is commonly believed to be his first caricatured appearance in an American cartoon. “Cubby’s World Flight”, an obscure short made around the same time as this, is considered the first, but when was the last time you’ve heard someone talk about Cubby?) with an axe.
• During the melodrama He Done Her Dirt (And How!), Bosko shouts “The dirty fuck!” when he sees Dirty Dalton (the cur!) sneak onscreen on a wheel-less bicycle. The first time Nickelodeon aired this short, that part wasn’t cut (or so it’s believed). Starting with the second time, “The dirty fuck!” was changed to “The dirty cur!” (with “cur” being recycled from the part near the end where Bosko yells, “Stop, you cur!” before jumping through the movie screen).

How It Plays Edited: The first cut doesn’t really affect the overall short. The abrupt cut in audio might hint at something missing, but it can logically be written off as a scene that was cut before theatrical release, not a scene that was edited when aired on television. As for the second cut, it’s obvious that something’s been changed, as this video will show you:

Availability Uncut: The only official release it has (as of 2024) is on the Looney Tunes Golden Collection volume six (on the third disc dedicated to Bosko, Buddy, and one-shot black and white musicals). As it’s still under copyright, you’re not going to find the whole thing on YouTube. You might find clips of the infamous “dirty fuck” line and a review/commentary or two, but no full cartoon. Archive.org does have it uncut, but even that website has had copyrighted videos taken down, so catch it while you can or just shell out money for an official release.

EDIT: “Bosko’s Picture Show” can also be found as a special feature on the Blu-ray release of the movie Lilly Turner, starring Ruth Chatterton and George Brent. The movie was released on Blu-ray this year; that’s why it was never mentioned until now.

Final Thoughts and Miscellany: If you’re wondering whether or not Bosko actually did call Dirty Dalton a “dirty fuck,” then you’re not alone. A lot of classic animation fans and historians have argued this. Some believe that Harman and Ising wouldn’t go that far, since this was the time that the Hays Code was in effect, but no one really took it seriously until mid-1934 (this cartoon was released in 1933, so dicey content in American movies still popped up here and there. You can visit pre-code.com or just look up “pre-Code movies” on YouTube or whatever search engine you prefer if you want to learn some American film history before its Golden Age) and think that Bosko called Dirty Dalton a “dirty fox” (which is the line in the closed captions/subtitles on the Looney Tunes Golden Collection volume six version) or a “dirty mug”. While Mark Kausler (animator and director of the 1991 animated version of Beauty and the Beast, the 1994 animated version of The Lion King, and 2001’s Osmosis Jones) thinks Bosko’s line was “the dirty mug,” according to lip sync and a perceived soundtrack flaw that turned an innocent word obscene, animation historian Jerry Beck had several people see the film, with all of them concluding that Bosko indeed called Dirty Dalton a “dirty fuck.” As for me, I believe Bosko did say “dirty fuck,” but it sounded more like “dirty fock” (rhymes with “hawk”). Guess if the short “u” sound was replaced with an "aw" digraph sound, no one would know the difference back then.

Then there’s the question of why Harman and Ising would let this slip. Was it because films back then were trying to be as subversive and obscene as possible, which caused the Hays Office to censor films more harshly after mid-1934, since the Code wasn’t as enforced as it should have been when it first came out in 1930? Were Harman and Ising so mad at Leon Schlesinger over budget issues that this was their “screw you”/“up yours”/“take this job and shove it” (all of which would be too rude to say or imply under the Hays Code, just so you know) moment that led them to go work for MGM? Or is it actually just an innocent word turned rude?

Three's a Crowd (Booked on Friday)

Director: Rudolf Ising

Summary: When an old man finishes reading Alice and Wonderland for the night and goes to bed, the title character comes out of the book and holds a literary dance party set to the title song…until Mr. Hyde kidnaps her.

The Channel: Cartoon Network (from Late Night Black and White)

Part(s) Edited: Every scene with Robinson Crusoe and his black native guide, Friday, was cut, as well as the entire scene of Uncle Tom from Uncle Tom’s Cabin singing “I Got the South in My Soul.”

How It Plays Edited: Even though this is one of those musical shorts that has a thin plot and is mostly a chain of scenes, this does suffer a bit from being edited. Mr. Hyde coming out of The Strange Case of Dr. Jekyll and Mr. Hyde had to be edited because you can hear Uncle Tom singing, which will make viewers wonder where Mr. Hyde came from. There’s also Mr. Hyde getting sprayed with ink by Robinson Crusoe and Friday, which had to be cut and leads to Hyde getting sprayed by unseen forces. The video comparison below tells it all.

Video Comparison:

Uncut version: Link here

Edited version: Link here

Availability Uncut: As of 2024, the only physical media release it has is on the Golden Age of Looney Tunes laserdisc set (second volume, side one, “Musical Madness”). It hasn’t (yet) been released on DVD, Blu-ray, streaming, or digital download (and, despite the black stereotypes, it does feel safe to show. It’s not heavy with it, like “Goin’ to Heaven on a Mule” or any of the Censored Eleven shorts), but it is readily available on online video sites, as it’s been in the public domain since 1961.

Red-Headed Baby (The Black Dolly-a)

 

Director: Rudolf Ising

Summary: In this prototypical version of Toy Story, a baby doll (the titular “Red Headed Baby,” though, since it’s in black and white, how could anyone tell, besides using their imagination?) falls for a toy soldier, but a villainous spider has his many eyes on her first.

The Channel(s): TBS (in the days before Cartoon Network was created to air all the cartoons in the Turner Network library, so, before 1992)

Part(s) Edited: The ending celebration musical number (of which most of these musical cartoons have) was cut to remove all scenes with the Red Headed Baby doll singing the title song with two stereotypically black girl dolls (called “golliwogs” or “pickaninnies” in their day, though due to who’s directing this, they can easily be doll versions of Bosko’s love interest, Honey). This only applies to the redrawn, colorized version. I’m so sure the black and white version has never aired on television. If it has, then probably only once, either with or without the same cuts described here.

There's also a strange edit in the scene of Napoleon the toy soldier sword fighting the spider and getting conked on the head with a wooden building block. The scene goes from Napoleon getting hit with the block to him passed out on the ground with a pile of what I assume is wood next to him as the Red Headed Baby sobs for him to wake up. Was there supposed to be more to that scene? Was it cut because of the Hays Code (which was in force back then, but we're in pre-Code territory, so a lot of films, both popular and obscure, treated the Code as a light suggestion and got away with a lot before mid-1934, when things really started to crack down and would stay that way until the late 1960s, though the mid-to-late 1950s was when the Code's power started to weaken)? Was it cut because of time or pacing or a need to rush the short out as quickly as possible without consideration for quality? We may never know.

How It Plays With the Edit: Since I can’t find an actual edited copy of the short, nor can I find a colorized version to recreate, I’m just going to go by how I think it would go. It would be very choppy, getting rid of all shots of the Red Headed Baby and the black doll back-up singers. I can’t imagine any of the audio being saved and alternate footage being used to bandage up the cuts done, so you’re left with jump cuts and missing music snippets. As for the possible edit, I think I just described how it plays.

Availability Uncut: It’s another public domain short (been there since 1959), so the original uncut and black and white version shouldn’t be hard to find. There is also a redrawn version available, but it’s not the colorized edited version. That version is available on the 2006 DVD release of the movie Cimarron. The 2023 Blu-ray release is remastered, uncut, and in its original black and white format. If you’re looking for a copy of it on a Warner Bros compilation home media set, the most recent release of that is on the 1992 Golden Age of Looney Tunes laserdisc (volume three, side one, dedicated to Harman and Ising shorts).

Here's the full (probably?) version for all to see:

Bosko Shipwrecked (Cannibal Run)

 

Director: Hugh Harman (though the title card lists both Harman and Ising as directors, this was the first short where Harman does solo direction and the first time one person is credited for a Warner Bros cartoon)

Summary: After a terrible storm at sea, Bosko ends up shipwrecked on an island, where he must contend with the wildlife that stole his hat and the angry jungle natives who would love to have him for dinner…as the main course.

The Channel(s): Nickelodeon

Part(s) Edited: The angry jungle native part. All of it.

How It Plays With the Edit: I think it’s just better to show you the uncut version vs. the edited version (the latter of which I had to make myself, since I couldn’t find an actual clip), though this might be the first time a scene cut in a Bosko cartoon actually affects the story and not the flow of gags set to music:

(original uncut version)

Link to Edited Version

Availability Uncut: Another day, another public domain Bosko short that hasn’t been officially released on DVD, Blu-ray, or streaming as of this writing in 2024. However, it is on a lot of unofficial public domain DVDs (I remember having the Cartoon Craze DVD specifically titled, “Bosko Shipwrecked”) and, of course, YouTube and other video websites are an option.