Rover's Rival (Washed-Up Antiques Roadshow)

 

Director: Bob Clampett (credited as “Robert Clampett.” Sounds oddly proper for someone like him. Like calling Will Forte “Orville Willis Forte IV”), with Chuck Jones (credited as “Charles Jones”) as an uncredited co-director (though he is credited for animation).

Summary: Porky literally tries to teach his old dog new tricks, but a smart aleck puppy keeps trolling him.

Fun Facts: This is the first cartoon to use “The Merry-Go-Round Broke Down” as the Looney Tunes theme song (Merrie Melodies’ theme is “Merrily We Roll Along,” for those who use both interchangeably) and the first to use the ending card where Porky bursts out of the drum and stutters, “Th-Th-Th-That’s All, Folks!” (there’s a short-lived Bugs Bunny variant where Bugs bursts out of the drum, snacks on a carrot, and says, “And dat’s de end!” Kinda wished they did variations with other characters, like how the end of Tiny Toon Adventures had the characters close out the cartoon, like Gogo Dodo saying, “It’s been surreal!” and turning the TV off with a remote, Plucky saying, “Parting is such sweet sorrow,” or Dizzy Devil saying “Show over” and eating the rainbow-colored concentric circles until his eyes are the only things left. There’s a YouTube compilation of this, naturally).

The Channel(s): Nickelodeon (possibly)

Part(s) Edited: Nickelodeon’s redrawn-colorized version (according to the old Censored Cartoons Page and the Looney Tunes Fandom Wiki) muffled out the young pup calling Porky’s dog an “old  antique” after the old dog slams his head into a washtub that’s hanging on the wall outside Porky’s house.

What Grinds My Gears About the Edit: Not so much “grind my gears” as “make me ask a lot of questions about the veracity of the claim.” Editing a cartoon to remove a kid character insult an elderly character seems out of character for Nickelodeon (especially in the 1990s, when the whole aesthetic of that channel made kids and teenagers believe that they had the power and reasonable adult figures were old-fashioned and out-of-touch), so what was the point of this edit? I wouldn’t put it past the censors of that channel to show some hypocrisy (the syndicated/acquired shows can’t have any ageism and adult-bashing from kids, but the homegrown shows Nickelodeon made can). Then again, what if it wasn’t a censorship cut? What if the sound quality was so bad that the audio just strategically cut out on that part and fixing it was either a) impossible, or b) not cost-effective. Or what if the viewers couldn’t understand the pup’s dialogue and thought it was muffled or muted?

Video Comparison: I’m not going to do my usual “compare/contrast” or “edit approximation” video this go-around. What I am going to do is upload both the original black and white version and the redrawn-colorized version and let you, the reader/viewer, decide if any audio censorship was done. From where I stand, there was no editing, but if anyone has any evidence that says otherwise (f.eg, a video of when this short aired on Looney Tunes on Nickelodeon with the edit actually there for all to here), then please come up and testify.

Black and White version:

Redrawn-Colorized version:

Availability Uncut: It was already uncut (allegedly) when aired on television, but, if you want the black and white version where the audio is high-quality, then look no further than the Porky Pig 101 DVD (disc two)…and I mean that literally, because that’s the only physical media release it has. It was available on Boomerang’s streaming channel and HBO Max (back when it was first called HBO Max and then when it was just Max. Now it’s back to HBO Max), but was dropped between 2024 and 2025 (this year).

‘Til next time…

Yet Another Brief Announcement

As you’re waiting for the next installment, I’d like to interject with some news about the blog. Don’t worry; it’s all good:

1) Looking over at the older videos and how I did them, I’m going to redo them, since I now have more of a handle on linear video editing. “I’ve Got to Sing a Torch Song” (which, according to my stats, is the most popular blog post here, next to the one about the 12 banned Bugs Bunny shorts and the one about The Censored Eleven) definitely needs a redo, as I really screwed up in editing it, as does “Buddy’s Showboat.”

2) I am considering adding a page where it’s just all of the compare-contrast/editing approximation videos (there is a difference between those: the compare-contrast videos usually have actual footage of how the cartoon was edited on the network or in syndication. Editing approximation videos are just me trying to figure out how the edited version looked), so if you don’t feel like reading my ramblings (or you need evidence for an online discussion or a video channel about censorship in cartoons. If you do the latter, please credit my blog and myself. Nobody likes a plagiarist), you can just go to the clips and see for yourself. They’ll all be attached to my Google Drive, so you can download them with ease.

The next installment is scheduled for next week (hopefully) because I’ll be on vacation from work, which leaves me time to write and do housework.

‘Til next time…

Speaking of the Weather (An Old Buddy [Cartoon] of Mine)

Director: Frank Tashlin

Summary: A “midnight in the store” cartoon (the first of three that Tashlin did and his first color cartoon), featuring celebrity caricatures and spoofs of popular reading material of the day all set to the title track of the short. This one takes place at a drugstore after midnight, and the reading material shown are magazines of all types. Like all “midnight at the store” shorts, this one has a rather thin story to break up the monotony of the gags and music. This one has a yegg from The Gang Magazine trying to break into a safe shown on the cover of The Magazine of Wall Street and Business, only to have everyone from Boy Scouts from Boy’s Life magazine to Greta Garbo on the cover of Photoplay stopping him when the crook inevitably escapes from the prison cell on the cover of LIFE.

The Channel(s): Cartoon Network and Boomerang

Part(s) Edited: A light edit on this one. When the prisoner makes his escape and all the magazine characters go after him, all that was cut were two shots of the African natives running towards the camera, which, if you can believe it, is recycled footage from “Buddy of the Apes” (which definitely didn’t air on Cartoon Network due to the stereotypical depictions of African natives/non-white indigenous peoples) and “Buddy’s Theatre” (which also didn’t air on Cartoon Network for the same reason, though, now that I think of it, I don’t think Cartoon Network aired any Buddy cartoons because…they just weren’t that good. Not even Late Night Black and White showed them, to my knowledge, and they showed the few shorts that had Goopy Geer as a character).

What Grinds My Gears About the Edit: Not much, unless you count the second edit where you can clearly hear the angry natives over the shot of the thug bouncing on the spears thrown at him. Even then, I give that a pass, because audio cue mistakes happen a lot in editing and that mistake can easily be dismissed as the walla of off-screen magazine characters that somehow got spears from other magazine covers (possibly one about primitive weapons or touring African jungles).

Video Comparison:

Availability Uncut: “Speaking of the Weather” hit the home media release trifecta of the 1990s going into the early-to-mid 2000s: it was on the laser disc and VHS versions of the Golden Age of Looney Tunes series (volume 1, “1930s Musicals”) in 1991. Fourteen years later, it appeared on the third volume of the Looney Tunes Golden Collection (the volume where the concentric circles are black, Bugs is holding one of the singing girls from that short, and it comes with a warning about politically-incorrect content courtesy of Whoopi Goldberg) on the second disc, featuring Hollywood spoofs of the 1930s, ‘40s, and 50s. Three years after that, it appeared as a special feature on the DVD version of the movie, Gold Diggers of 1937, starring Dick Powell, Joan Blondell, Victor Moore, and Glenda Farrell, and that’s where it’s been ever since. As of this writing, it hasn’t been re-remastered for Blu-ray or put on streaming, which is a shame, because this feels like it could have been on HBO Max when that service first launched in 2020, only to be pulled because it had outdated racial and ethnic stereotypes in it.

‘Til next time…

 

Porky's Railroad (Re-Drawn Together)

Director: Frank Tashlin

Summary: Porky’s clunky, yet reliable train engine, Toots the 15th Century Unlimited (a 2-2-2 engine --two leading wheels, two driving wheels, and two trailing wheels -- popularly called a “Jenny Lind”)  squares off against Dirty Digg’s streamlined train, Silver Fish (no word on what kind of wheel alignment it’s supposed to have) in this battle between old tech vs. new tech.

The Channel(s): Unnamed syndication, Nickelodeon, and MeTV

Part(s) Edited: A very quick sight gag. During the race between Toots and the Silver Fish, a brief scene showing the Silver Fish racing by a woodpile that flies up revealing a black man (one that kind of looks humanoid, the way Bosko did) in tattered clothes was cut. Surprisingly, neither Cartoon Network nor Boomerang cut that part, and I actually found proof of it (see the “Video Comparison” section below).

The redrawn-colorized version also cut a short scene where Dirty Digg’s Silver Fish turns a tunnel inside out, and the end where Porky is crowned the new engineer of the Silver Fish, but those cuts were because redrawn-colorized versions had a hard time replicating the frenetic and fast-paced animation of these black-and-white shorts (mostly Bob Clampett’s work, but Frank Tashlin did a lot of what Clampett would be known for) and would often drop scenes because they weren’t usable (if you think that’s bad, wait ‘til we get to “The Daffy Doc” and “Wholly Smoke”).

What Grinds My Gears About the Edit: This probably doesn’t grind my gears as much as it should. The “black man in the woodpile” edit goes by so fast that you don’t even notice. However, the Looney Tunes Fandom wiki says that it was cut because it’s a visual pun on a racially offensive saying. We have enough racist sentiment in this world; we don’t need any more unless it’s backed by historical context or someone challenging and condemning it, so I don’t know or want to know what that saying is.

As for the two other cuts…those were cut due to shoddy workmanship, not censorship. I’m not running a “Shoddy Workmanship” blog, though I do like pointing out how redrawn-colorized cartoons look like complete and utter crap, since I remember seeing those a lot on Nickelodeon (and occasionally, Cartoon Network).

Video Comparison: In a return to the style of the pilot blog post about Bosko, The Talk-Ink Kid, I’m going to show the full, uncut black and white version versus the redrawn-colorized edited version:

Uncut (black and white version):

Uncut (computer-colorized version as seen on Cartoon Network):

Edited (redrawn-colorized, as seen on Nickelodeon, MeTV, and unnamed syndication):

Availability Uncut: It is available on the Looney Tunes Golden Collection Volume 4 DVD (on the second disc centered on Frank Tashlin cartoons), the Porky Pig 101 DVD set, and the Porky Pig volume of a UK-based DVD set called “The Looney Tunes Big Faces Box Set” (a.k.a “The Kids WB Bumper Box of Toons”). It’s not on streaming as of yet, but it doesn’t matter, as this cartoon has been in the public domain since 1965, so you can watch it wherever fine public domain films (live-action and animated) are uploaded.

For more information on trains and how they’re depicted in the media, visit https://obscuretrainmovies.wordpress.com

‘Til next time…