Sunday, January 25, 2026

Drawn and Quartered's Belated Christmas Spectacular -- Episode #3: The Captain's Christmas (Salty Dogs and Katzenjammer Kids)


Director(s): Friz Freleng

Summary: Here’s a refreshing change of pace: a Friz Freleng cartoon not made for Warner Bros. You see, there was a time in the history of Termite Terrace where Friz Freleng thought that it would be best if he took his talents elsewhere, so he went to MGM to do animated shorts. It, sadly, didn’t work out the way it did with Tex Avery, so Freleng was back at Warner Bros as quickly as he left (the 1940 WB short, “You Oughta Be in Pictures” is a fictionalized take on it).

Anyway, in this, the last Captain and the Kids cartoon of 1938, the patriarch of the family (and titular Captain) gets robbed of his Santa costume and sleigh during his yearly tradition of playing Santa Claus to entertain his wife (Mama) and children (Hans and Fritz) by a degenerate sailor named John Silver and his nameless henchmen. While John does do a good job of playing Santa, he soon goes too far and ruins Christmas for the kids, prompting his peg-legged conscience to scold him and tell him to make things right.

Fun Facts: 

  • This and the next cartoon, “Petunia National Park,” are the only Captain and the Kids cartoons that were done in Technicolor, rather than black and white.
  • The title is kind of a misnomer, as The Captain only appears at the beginning of the cartoon, and he doesn’t do anything to stop or help John Silver redeem himself after ruining Christmas for the kids.
  • This is the only Captain and the Kids short where Billy Bletcher (who did do voice work on Warner Bros. shorts. You’ve probably heard him as the voice of Papa Bear on the Dysfunctional Bear Family shorts, or Colonel Shuffle on “Mississippi Hare” and “Dog Gone South” and is the original voice of Pegleg Pete in the Mickey Mouse shorts over at Disney, among other roles) voices John Silver instead of Mel Blanc. John Silver’s singing voice in this short was provided by Charles Bennett.

The Channel(s): Cartoon Network and Boomerang (ToonHeads)

Part(s) Edited: In the rare time I saw this on television (this was one of those shorts I saw a lot on VHS tape as a child. It never occured to me that this would air on television, even during that small December window when Cartoon Network would pepper their programming with Christmas-themed animation) back in the early-to-mid 2000s (I want to say 2004, but I’m so sure it was 2003), the scene of one of the kids (the blond one) playing with a sad, shuffling black man wind-up toy and John Silver making it dance faster by shooting at its feet (causing it to run, despite being attached to the wind-up box) was cut. For continuity reasons (I think, and sincerely hope), the earlier scene of John Silver playing a toy piano with his pegleg and shooting his pistol twice was cut.

What Grinds My Gears About the Edit(s): Not much. All the years of watching it uncut on videotape, I almost didn’t notice that there was an edit done until I noticed the jump in audio (audio jumps and alterations [i.e., redubs and muting] almost always give away visual edits), and that was on the second viewing.

Video Comparison: 


Availability Uncut
: It’s been on physical home media since 1983. First, it was on volume one of the MGM Cartoon Magic VHS. Eight years later, it was on the Tom & Jerry’s The Night Before Christmas VHS (that’s the one I had as a kid). Seventeen years after that (2008), it would appear as a special feature on the final volume (volume six) of the Looney Tunes Golden Collection DVD set (it’s on the second disc, featuring World War II-era cartoons and some post-war shorts that are considered propaganda, such as the three Sloan Foundation shorts directed by Friz Freleng that combine cartoon antics with lessons about the American economy and business). Four years after that (2012), it was released on the second volume of the Looney Tunes Platinum Collection (Blu-ray only. The DVD version just has Warner Bros cartoons with no special features or third disc).

Is/Was It on Streaming or Digital Download: Not as of this writing. The only MGM cartoons I’ve seen on streaming and/or digital download are the Tom and Jerry shorts and, of course, most of Tex Avery’s oeuvre. Anything that’s not it (including Harmon and Ising’s work after leaving Termite Terrace) hasn’t been released, as far as I know.

 

‘Til next time, stay Looney and be Merrie.

Saturday, January 24, 2026

A Day at the Zoo (I Picked a Bad Day to Start Smoking)

Before I begin, I want to apologize, because this was supposed to be before “Daffy Duck and the Dinosaur (Clan of the Cave Duck),” not after. It was an oversight on my part. Also, I'm not including "Porky's Movie Mystery," as that's part of a future post about cartoons with missing scenes that may or may not be because of censorship, and whose missing scenes are either lost to time or still out there, but not rediscovered yet.









Director(s): Tex Avery

Summary: A series of blackout gags centered around a day at the Kalama Zoo (Kalamazoo is actually a city in Michigan), where literal wolves are at a door, the elks are human men who are part of the social club of the same name, Polly the Parrot wants a short beer instead of a cracker, and Egghead (the Joe Penner-esque rough draft version of Elmer Fudd that was seen in “Daffy Duck and Egghead”) won’t stop teasing the lions.

Fun Facts:

- The 2023 movie adaptation of Five Nights at Freddy’s had a clip of this cartoon.

- Tex Avery once owned a nitrate cel of the original titles, which were auctioned on eBay in 2004. Sadly, they weren’t used when restored to Blu-ray.

- The original titles are said to be similar to the ones for “Hamateur Night.” 

- The 35-cent blue plate special advertised on the “Feeding Time” sign would be $8.11 in today’s money. The five cents extra for pie would now be $1.16. Together, that would be $9.27 instead of forty cents.

The Channel(s): TNT, Cartoon Network, and Boomerang

Part(s) Edited: A light, mellow, and satisfying one this go-around (if you’re into that. I don’t smoke, but I saw a lot of vintage cigarette ads as part of one of my college classes about post-World War II history, culture, and ephemera, so I do know how Madison Avenue liked to tout cigarettes in the days when they were considered glamorous). During the beginning showing the visual puns of different animals at the zoo, the shot of the “pack of camels” smoking cigarettes (shown between the “wolf at the door” and the “Greyhound bus”) was cut.

What Grinds My Gears About the Edit: Nothing. Since this is one of those spot gag cartoons, it doesn’t make or break the plot. Yes, there’s a jump in the audio, but the many times I’ve seen the edited version, I hardly notice it. You can argue that this would tick off those who believe that the Looney Tunes and Merrie Melodies cartoons weren’t meant for children and getting rid of tobacco smoking (as well as alcohol drinking) in what are ostensibly adult cartoons is yet another example of major studios catering to younger audiences while screwing over the adults or trying to erase their past, and, yeah, you’d be right, but, as long as the edit isn’t painfully obvious or dumbs down the scene, makes it more problematic than it already is, or kills the joke, then it’s not that big of a deal.

Video Comparison:


Availability Uncut: Good news: this has been in the public domain in the United States since 1967, so you can watch it wherever fine public domain cartoons are released (either offline or online). Bad news: there aren’t many official releases of this short on home media. You have the 1992 release of the Golden Age of Looney Tunes laser disc (volume 3, side 8: “The Evolution of Egghead”) followed by a 33-year gap between that and the 2025 release of the Looney Tunes Collectors’ Vault Blu-ray (volume one, disc one), and that’s it for the physical home media releases.

Is/Was It on Streaming or Digital Download: As of 2026, “A Day at the Zoo” is available on Tubi as part of the 700 to 800 Warner Bros. shorts uploaded to the platform. Prior to that, it wasn’t available on any official streaming or digital download platform, which is strange to me. Outside of the Camel cigarette joke, there’s nothing problematic about it in terms of racist caricatures or anything else that would be considered “politically incorrect.” Wonder why this got skipped? Anyway, that’s a question for another day.


‘Til next time, stay Looney and be Merrie.

Monday, January 19, 2026

Daffy Duck and the Dinosaur (Clan of the Cave Duck)

 









Director(s): Chuck Jones (credited as “Charles Jones”)

Summary: A caveman who sounds like radio and TV comedian Jack Benny goes hunting for duck with his pet Brontosaurus, Fido.

Fun Facts:

1) This is Chuck Jones’ first Daffy Duck cartoon, though since this is the era of Chuck Jones being Disney-esque, it does suffer from being slow-paced and not as heavy with the jokes as what you get if this were a Tex Avery or Bob Clampett cartoon (coincidentally, Dave Monahan, who wrote this cartoon, worked with Tex Avery when he was employed at Termite Terrace). I think Letterboxd (whose reviews on classic Looney Tunes and Merrie Melodies shorts can be a bit harsh, though I mostly chalk that up to the writers completely missing the point) said it best here: 

“Largely dull earlier Daffy Duck cartoon that Daffy isn't even really in that much. It's most focused on a stupid caveman and his moron dinosaur…” 

There’s also this review, which…yeah, best to put that in a journal (an actual paper journal): 

“This one made me extremely sad as a child. Not sure why, it’s a rather sanguine affair. Possible that the implication of “billions and billions of years ago” sent my brain down a dark thought hallway. The idea that people used to live without McDonalds and television was really depressing to me as a kid, which is an unbelievably bleak thing to consider. People ask why this caveman and dinosaur didn’t come back in other shorts and I’m here to set the record straight. They died. “But Branson, why didn’t Daffy die, too?” Because he survived.”

Yeah. What the hell?

2) Though this is Chuck Jones’ first time with Daffy Duck, he’s already altering Daffy’s personality away from just being “the wacky duck.” It’s not the greedy, cowardly jerk Daffy just yet. It’s more “half-wacky, half-cunning,” especially during the climax with the overly-inflated duck.

3) There wouldn’t be another color cartoon starring Daffy Duck until 1942’s “Conrad the Sailor.”

The Channel(s): Cartoon Network and Boomerang (American feed only)

Part(s) Edited: About the most insignificant edit so far. The fade to black between the shot of the “For The Pause That Refreshes – Duck!” and the shot of the Jack Benny caveman and his brontosaurus, Fido, staring at the neon sign that reads, “Only 50 Ft. to the Duck” with an arrow pointing to the right was cut.

What Grinds My Gears About the Edit(s): EVERYTHING! There’s no reason this edit should exist, not even if it’s one of those “cut for time/pacing” edits. The jump in audio is obvious and there’s nothing offensive about a fade to black (unless it’s some kind of visual joke that ends in a stereotypical depiction of a black/African-American person). I haven’t been able to find a logical explanation of the cut from an outside source. If anyone out there knows why this was cut, please let me know.

Video Comparison: 


Availability Uncut: Fortunately for me (and you, the Looney Tunes/Merrie Melodies fan), this cartoon has been in the public domain since 1967, so it’s available on a lot of gray-market, unofficial home media releases (if you were a kid back when VCRs were around, you probably remember seeing this one a lot, alongside, “Yankee Doodle Daffy” [the one where Porky is a talent agent about to go on vacation, and Daffy holds him up by advertising a lollipop-licking child star as the next big thing in stage and screen], “Daffy – The Commando” [my first World War II cartoon, even though it wouldn’t be until sixth or seventh grade that I knew everything about it. It’s basically a less offensive, but still outdated and problematic version of “Bugs Bunny Nips the Nips.” In fact, “Daffy – The Commando” and “Bugs Bunny Nips the Nips” would make for a great WWII cartoon double feature], “Fresh Hare” [one of the four Bugs vs. Elmer cartoons where Elmer is fat to better match his voice actor, Arthur Q. Bryan. This one is to the Banned Bugs Bunny 12 what “Goin’ to Heaven on a Mule” is to The Censored Eleven: it’s not officially on there, but it does qualify because of the ending where Bugs, Elmer, and the Royal Canadian Mountie firing squad are in blackface. The main difference is that “Fresh Hare” did air on TV…with the ending censored, of course, before the short got phased out. Classic WB cartoon fans are still waiting for “Fresh Hare” to have an official DVD or Blu-ray release, uncut, uncensored, and digitally restored], and “The Wabbit Who Came to Supper” [another Fat Elmer cartoon; this is the one where Elmer has to keep Bugs as a pet due to an inheritance from a rich uncle]). If you want an official release of this short, then you can easily find “Daffy Duck and the Dinosaur” on:

  • An Associated Artists Productions (a.a.p) Super 8 (year unknown, though assume it’s the 1970s or thereabouts)
  • Viddy-Oh! For Kids Cartoon Festivals: Daffy Duck Cartoon Festival Featuring “Daffy Duck and the Dinosaur” (VHS, 1986)
  • Cartoon Moviestars: Daffy Duck and Company (VHS, 1990)
  • Golden Age of Looney Tunes (laser disc, 1992, volume 3, side 9: Porky and Daffy)
  • Looney Tunes Golden Collection (DVD, 2005, third volume, disc four)
  • Looney Tunes Collection All-Stars (DVD, 2006, volume 4 [Australia only])
  • Looney Tunes Spotlight Collection (DVD, 2009, volume 7, disc 2)
  • Looney Tunes Collection (DVD, 2018, volume 3 [Australia only])

Is/Was It on Streaming or Digital Download: If this short is everywhere on home media (both officially and unofficially) because of its public domain status, then it should be everywhere on streaming and digital download, right? Well, it is and it isn’t. While it’s very easy to find on YouTube, YouTube-style video sites, iTunes, and Tubi, you can’t find it on the Boomerang streaming app or HBO Max (f.k.a “Max”). They did used to have “Daffy Duck and the Dinosaur,” but Boomerang streaming ditched it in 2024, while HBO Max/Max ditched it in 2025.

‘Til next time, Stay Looney, and Be –







No, NO! Th-th-th-that’s not all, folks! Since this is a somewhat iconic short that a lot of people dismiss as boring because this was when Chuck Jones was trying to be Disney-esque, I wanted to tack on some bonus material. First, we have a compare and contrast of how the short was remastered from television to home media:

And here’s a list of Warner Bros. shorts that (at least in the United States) have fallen into the public domain due to not renewing the copyright in time or it never being copyrighted in the first place.

Now, we can Stay Looney and Be Merrie, ‘til next time.

Saturday, January 17, 2026

Drawn and Quartered's Belated Christmas Spectacular -- Episode #2: The Fright Before Christmas (String Light Quartet)


Director(s): Friz Freleng

Summary: On Christmas Eve, The Tasmanian Devil escapes being cargo on a plane and lands outside of Santa Claus’ house at the North Pole, takes his clothes, and steals his sleigh. And wouldn’t you know it? His first stop is at Bugs Bunny’s house, where Bugs plays along with Taz being Santa so as not to disillusion his nephew, Clyde (who’s still a kid in 1979, despite seeing him before in 1951’s “His Hare-Raising Tale” and 1955’s “Yankee Doodle Bugs”).

Fun Facts:

  • This is actually part of a late 1970s TV special called Bugs Bunny’s Looney Christmas Tales, which also included “Bugs Bunny’s Christmas Carol” (also directed by Friz Freleng) and “Freeze Frame” (the first Chuck Jones-directed Wile E. Coyote and Road Runner short since 1964’s “War and Pieces”). I remember seeing all three of these as individual shorts when channels like ABC, Nickelodeon, and Cartoon Network had the rights to air WB shorts (mostly they were reserved for Christmas episodes).
  • This is the first (and only) time Friz Freleng directed a Bugs Bunny vs. Taz cartoon. Robert McKimson (the man behind the only five Bugs/Taz cartoons that were released during the Golden Age of Warner Bros cartoons) died in 1977 (he had a heart attack while having lunch with Friz, coincidentally. What’s worse is that Robert McKimson was told by his doctor that he had a clean bill of health and would most likely live to be 100, just like his father).
  • This is the first time in ten years (1969 vs. 1979) that a new Warner Bros short appeared in any form of media (in this case, television. A new, theatrical WB short wouldn’t come until 1987 with “The Duxorcist”).

The Channel(s): ABC

Part(s) Edited: You’d think any Warner Bros shorts made after the Golden Age (and some of the downhill years between 1965 and 1969) would finally be safe to air for families, but…not in this case. ABC’s version (which I remember seeing a lot in the 1990s in December) cut some of the scene of Bugs naming off everything his nephew, Clyde, wants for Christmas to remove Taz eating Christmas bulbs (and getting sick from a green one that’s “not ripe,” according to Bugs) and electrifying himself by chewing on a string of Christmas lights.

While the short itself now has a title card and the beginning and ending concentric circles tacked on, I don’t count that as a censorship cut or even an edit for syndication. This is more of a reformatting, because, as mentioned before, this was the last ten minutes of a TV special that was turned into an individual short.

What Grinds My Gears About the Edit(s): As the video explains, the only thing that grinds my gears about this is the fact that there’s a lot of scenes gone within a seven-minute time frame. Not enough to reduce the cartoon to nothing, but enough to notice, judging by the fact that Bugs’ comically long list from his nephew would include more things than what he says in the edited version.

Video Comparison: Back and more polished than ever. My goal is to make these comparison videos similar to how this YouTube series called “Cutting Edge” (which also does compare and contrast videos showing how live-action movies get censored in the United Kingdom [though there are episodes showing how the United States and Australia have censored movies]) does it:

Availability Uncut: This actually has a good run on home media, mostly as part of Bugs Bunny’s Looney Christmas Tales TV special. If you want to see “The Fright Before Christmas” in that format (as well as seeing “Bugs Bunny’s Christmas Carol” and “Freeze Frame”), then your best bets are:

  • The 1990 VHS release of Bugs Bunny’s Looney Christmas Tales
  • Volume 5 of the Looney Tunes Golden Collection DVD set (disc 4, 2007)
  • The 2018 DVD release of Bugs Bunny’s Looney Christmas Tales

If you want to see it as a short without “Bugs Bunny’s Christmas Carol” and “Freeze Frame” (with or without the opening or closing rings), then these are the physical media choices for you:

  • Christmas Looney Tunes (VHS)
  • Stars of Space Jam: Tasmanian Devil (VHS [standalone and as part of a double feature VHS, which includes the actual 1996 movie Space Jam], the Japanese laser disc, and DVD. The DVD version -- both the standalone and the repackaged version as part of the Stars of Space Jam Collection, volume 1 – doesn’t have the beginning or closing rings and is shown with the act three bridging sequence and end credits from Bugs Bunny’s Looney Christmas Tales)
  • Volume 6 of the Looney Tunes Special Bumper Collection (VHS)
  • Looney Tunes Presents: Taz’s Jungle Jams (VHS)
  • Christmas Collection Looney Tunes (VHS)
  • Looney Tunes Platinum Collection [Blu-ray version only]  (volume 1, disc three, unrestored version)

Is/Was It on Streaming or Digital Download: No digital downloads (by which I mean Amazon Prime Video and iTunes), but it was on HBO Max (from 2020 to 2022, then returned from 2024 to 2025 when it was called “Max”) and is one of the 700 to 800 Warner Bros shorts available for free on Tubi.

‘Til next time, Stay Looney, and Be Merrie.

Saturday, January 10, 2026

Hamateur Night (I'm OK, You're UK)

 


Director(s): Tex Avery (credited as “Fred Avery”)

Summary: A local theater holds an amateur night, where the acts stink out loud and only the best of the worst can win it (so...it’s an updated version of Into Your Dance from 1935). All the while, Egghead keeps interrupting with his rendition of “She’ll Be Comin’ ‘Round the Mountain When She Comes” and getting pulled by the “get off the stage” hook that is a trope on cartoons like this (I know a more-or-less modern version of this is The Sandman [a man dressed as a circus clown] sweeping off bad acts with a push broom on episodes of Showtime at the Apollo).

Fun Facts:

- The Four Daughters mentioned in the marquee gag at the beginning is a real movie. It’s a 1938 romantic drama about a charming, young stranger and his bitter, cynical composer friend upending the lives and loves of a happy, musical family. The four daughters were played by Gail Page and The Lane Sisters (Priscilla, Rosemary, and Lola). 

- Phillip Kramer, a radio comedian known for his work on the radio show, The Grouch Club, was the voice of the canine emcee in this short.

- This cartoon premiered alongside the feature film, They Made Me a Criminal, starring John Garfield, Claude Rains, and a group of New York City Broadway actors known as The Dead End Kids (and also known as The East Side Boys, The Tough Little Guys, and The Bowery Boys). It was also directed by Busby Berkeley, who is known more for doing musical films featuring elaborate, geometric set pieces and beautiful showgirls on parade. You probably have heard of some of them: 42nd Street, Footlight Parade, Gold Diggers of 1933, Dames, and Fashions of 1934.

The Channel(s): BBC (as part of Rolf Harris Cartoon Time)

Part(s) Edited: Hurray, it’s yet another edit done for time/more commercials rather than for objectionable content (though, considering that the United Kingdom is stricter in what’s appropriate for children’s/family audiences than the United States is, an argument can be made that the “Four Daughters with Selected Shorts” pun could be considered risqué, but that’s by American standards, not UK). When this cartoon aired on the BBC’s show Rolf Harris Cartoon Time (now considered problematic since the show’s host was later outed to be a paedophile [spelling it the British way this time around. I know this isn’t the American way]), the beginning with the Four Daughters marquee and the band warming up was cut, going straight from the titles to the canine-looking host introducing the show and Egghead twice interrupting with “She’ll Be Comin’ ‘Round the Mountain” before getting the hook…twice.

What Grinds My Gears About the Edit(s): Like many edited for syndication cuts before it, just the fact that there’s nothing about the cut that would warrant the scene being cut other than “We need to trim this for time.” On top of that, cutting it so that way it starts with the host introducing the show doesn’t make or break the scene. Viewers will still know (by virtue of the title and what the new opening scene is) what’s going on. Then there’s the fact that Swami River’s act was never cut on UK TV, despite the UK having rules against showing content that could be insensitive to minority audiences, and that does include outdated, stereotypical depictions of racial and ethnic groups that were once okay to show, but now aren’t. If HBO Max in the U.S. could pull “Hamateur Night” for that reason (meanwhile, MeTV didn’t censor that scene and Tubi actually showed the cartoon, despite not airing many WB shorts with racial and ethnic stereotypes and showing “Believe It or Else” with edits – stay tuned for that one), then what exactly was stopping the UK from doing the same?

Video Comparison: 

Availability Uncut: Bad news: its physical media history doesn’t look too good. It was on the Golden Age of Looney Tunes laser disc and VHS in the early 1990s (both on volumes centered around Tex Avery’s best work at Termite Terrace) and didn’t get another release until 2023, where it appeared on the second volume of the Looney Tunes Collector’s Choice set, as well as the repackaged version from 2024 that includes all four volumes. Good news: it’s a public domain short (has been since 1967), so you can watch it on YouTube, other video sites, and the occasional gray-market home media release.

Is/Was It on Streaming or Digital Download: Yes. As I mentioned before, this was on HBO Max for a limited time in 2020. A year after that, it was streaming on WarnerMedia RIDE until 2023, which did seem to welcome some controversial shorts, but not all of them. Since 2025, “Hamateur Night” is on Tubi’s Looney Tunes channel, uncut, uncensored, and remastered.

‘Til next time, stay Looney and be Merrie.

Drawn and Quartered's Belated Christmas Spectacular -- Episode #1: Gift Wrapped (Christmas Chaos)









Director(s): Friz Freleng

Summary: Sylvester celebrates Christmas Day by going after the pet canary (Tweety) that was meant to be a present for Granny. Things get complicated when Granny also gets a bulldog named Hector, who goes after Sylvester, and Granny must teach her housepets how to celebrate peace on Earth and goodwill to men (as in “humanity.” It’s not meant to exclude women and non-binary/non-gender-conforming people. When will people learn this? I did, back in seventh grade).

Fun Facts:

  • This cartoon was in the running to be nominated for an Oscar in 1952, joining “Ballot Box Bunny” (the Bugs Bunny/Yosemite Sam cartoon whose political satire still holds up today) and “Little Beau Pepe” (as much as I like the Pepe Le Pew cartoons and admire how Robert Gribbroek and Philip DeGuard capture the beautiful, but vast isolation of the Sahara desert, I don’t feel this deserves an Oscar the way “For Scent-imental Reasons” did. If any Pepe cartoon after “For Scent-imental Reasons” deserves an Oscar nom and possible win, it’s a toss-up between “The Cat’s Bah” [since Maurice Noble and Philip DeGuard captured how gorgeous, but claustrophobic and foreign The Casbah is, especially if you’re lost and being pursued by a stranger with lascivious designs on you. It’s every female traveler’s nightmare, and I’m amazed they showed it back in the 1950s, because it feels more like a modern problem] or “Really Scent” [just to see if Pepe cartoons that end with the titular character getting what’s coming to him for his unwanted amorous pursuits really do win over the Academy, though “Little Beau Pepe” also ended on that note, so, yeah, this kinda belongs there when you take that into account]). Sadly, none of the three were nominated. I feel that “Gift Wrapped” would have been picked easily, since, at the time, Sylvester and Tweety shorts were crowd-pleasers, and Freleng already netted a win with 1947’s “Tweetie Pie” (the very first Sylvester and Tweety pairing, where Sylvester is strangely named “Thomas”) and would later net another win with “Birds Anonymous” in 1957 and be previously nominated for “Canary Row” in 1950 and “Sandy Claws” in 1955.
  • Speaking of background artists, this is the first one to have Irv Wyner as Friz Freleng’s background artist after Paul Julian left to work for UPA. The differences between a Paul Julian background and an Irv Wyner background are:
    • Paul’s backgrounds are more realistic, and often include funny background events, such as Yosemite Sam’s ship being blown up and sinking after Sam fails to catch the match being tossed in the gunpowder room in “Buccaneer Bunny,” Elmer’s “Wabbit Twacker” getting mangled after he falls off the cliff in “Hare Do,” and the many advertisements for products and services that have the names of Freleng’s staff on them (including Friz himself), such as “Friz: America’s Favorite Gelatin Dessert!” seen in “Putty Tat Trouble” or the “Hawley and Pratt Sherry” as seen in “Kit for Kat” (most times, when Hawley Pratt’s name is used for a product, service, or company, it’s shown as “Hadley Pert” or “Hadley and Pert”).
    • Irv’s backgrounds have richer color and can be just as realistic as Julian’s work (as seen in the opening scenes where it’s snowing on Christmas Eve, Granny is asleep, Sylvester is waiting by a mouse hole, and everything in the house is so cozy and warm), but Wyner’s backgrounds don’t add to the humor of the short with funny Easter eggs involving the names of Freleng’s staff or implied action.
  • Despite still being under copyright (for now, anyway), there were some instances of “Gift Wrapped” being available on gray-market public domain videos. While there have been instances of color shorts falling into the public domain for one reason or another (I mentioned “Jerky Turkey” as an example in the previous post, but there are others), I don’t know how that could have happened with “Gift Wrapped”.

The Channel(s): ABC, The WB, and Cartoon Network/Boomerang (USA feed only)

Part(s) Edited: Get some milk (regular, plant-based, or lactose-free, doesn’t matter) and cookies (regular, plant-based, gluten-, or lactose-free, still doesn’t matter), because look what Santa brought me for belated Christmas (most of this is from my comments on the Anthony’s Animation Talk video for this short. I often use the comments section as a springboard for any writing pieces centered on cartoon history or critique):

From 1990s ABC Saturday mornings (or early afternoon, since The Bugs Bunny and Tweety Show did come on at noon where I live), we have a version of “Gift Wrapped” where:

  • Granny whacking Sylvester with her broom (recycled from 1947’s “Tweety Pie”) was shortened for violence,
  • Sylvester staggering down the stairs after getting blown up by the dynamite stick in Tweety's cage was cut (though the actual dynamite switcheroo wasn’t censored. Odd, since ABC usually does it in other cartoons), and,
  • Sylvester getting shot by Tweety’s “toy” gun during the Hopalong Cassidy scene was cut (I’m amazed that was all that was cut, because American Indian stereotypes are one of the many things ABC cut when they had the rights to the Looney Tunes cartoons).

Our good friends at Cartoon Network and Boomerang (with The WB piggybacking on the gift last minute) left in the broom-bashing and dynamite part, but, unlike ABC, actually saw the Hopalong Cassidy part as offensive due to American Indian stereotypes and cut it...until 2003, where Cartoon Network and Boomerang freely aired it uncensored. The WB, from what I’ve been told by a fellow video commenter (name concealed due to not asking permission to use it, but if you search for the commentary on the video, you should find out who it is), did what ABC did to that part and just cut Sylvester getting shot by the toy gun after pulling the cork (which is also what the channel did when they aired the Foghorn Leghorn short, “Feather Dusted” from 1955) rather than edit the entire scene because of the American Indian stereotypes.

It should be noted that the Hopalong Cassidy scene was never edited on Cartoon Network and Boomerang feeds outside of the United States (which means some kid in the United Kingdom is probably enjoying this short, despite that the UK’s BBFC also has rules against showing outdated racial and ethnic stereotypes, but their content reports do note that, in the case of the Looney Tunes and Merrie Melodies shorts, they’re products of their time and not meant to be hurtful…in this case, anyway. Shorts like “Horse Hare” and most of The Censored Eleven do beg to differ), nor was the scene cut when Cartoon Network and Boomerang aired the 1959 clip show cartoon, “Tweet Dreams.” (where the past cartoon shorts are used as flashbacks during Sylvester’s therapy session) and when MeTV and MeTV Toons (which are more about editing outdated racial and ethnic caricatures rather than violence, since that’s the world we live in now) aired both “Gift Wrapped” and “Tweet Dreams.” The Hopalong Cassidy scene even played uncut during the holiday season at the former Warner Bros. store (it’s like The Disney Store, but it sells WB stuff. The anonymous commenter did tell me this, as that person saw it happen as a child).

What Grinds My Gears About the Edit(s): The usual hypocrisy of how ABC and the WB just cut this for violence, but saw nothing wrong with showing American Indian stereotypes while Cartoon Network and Boomerang had their heads on straight until 2003 and edited for the latter reason. Then there’s the fact that ABC’s and WB’s version make it look like Sylvester immediately fell down the Christmas tree as he’s climbing it. Yes, Looney Tunes villains can be clumsy, and characters like Wile E. Coyote and Sylvester do fail because of their own short-sightedness, but the edit makes it look like Sylvester is dumber than usual in that he can’t climb a tree rather than he can climb, but he fell down because he was checkmated by a canary packing a loaded gun that he assumed was a toy (this would also be my ground gear for the infamous “You Beat Your Wife” cut on 1956’s “Wideo Wabbit.” Stay tuned for that one).

The broom-bashing being shortened on ABC doesn’t bother me, and neither does the dynamite cage part losing its punchline of a singed Sylvester staggering down the stairs. Cartoon Network and Boomerang cutting the entire Hopalong Cassidy part, making the short go from the dynamite cage part to Tweety riding on a toy train, is your typical seamless cut (and not the kind that looks painfully obvious and will get a Hollywood editor fired with good cause, as seen on The Simpsons and its demented, fan-made YouTube counterpart, Dark Simpsons) that may seem obvious to those who remember seeing it uncut elsewhere, but, for those who haven’t seen it, it won’t.

Video Comparison: And now, for your viewing pleasure, two – count ‘em, two – videos: one showing how ABC edited this and the other showing how The WB and pre-2003 Cartoon Network and Boomerang edited it. Normally, I’d load it onto one video, but I feel that this is more efficient:

ABC version:

WB, Cartoon Network, and Boomerang (US, pre-2003) version

 


Availability Uncut: This, like a lot of post-1948 WB shorts, has a good run on home media release, even though most of the releases are from the United Kingdom and Australia. The full list is here, as I’m only going to list the American releases:

  • Sylvester and Tweety’s Bad Ol’ Putty Tat Blues (1994, laser disc)
  • Looney Tunes: The Collectors Edition: Volume 9: A Looney Life (2000, VHS)
  • Looney Tunes Golden Collection: Volume 2 (2004, DVD, disc three, restored with DVNR [digital video noise reduction. A lot of purist fans do cite this as a flaw, because it does affect the animation and art. If you’re not a purist, then this really shouldn’t affect you])
  • Looney Tunes Spotlight Collection: Volume 2 (2004, DVD, disc one, also restored with DVNR)
  • Looney Tunes Super Stars’ Tweety & Sylvester: Feline Fwenzy (2010, DVD, also restored with DVNR)
  • Looney Tunes Platinum Collection: Volume 2 (2012 and 2025, DVD and Blu-ray, disc one [for both versions], restored without DVNR)
  • Best of Warner Bros. 50 Cartoon Collection: Looney Tunes (2013, DVD, disc one, restored without DVNR)
  • Looney Tunes Spotlight Collection Volumes 2-3 Repack (2014, DVD, I assume it’s the “without DVNR” version, but it’s probably the “restored with DVNR” version, since it is a reissue of the Spotlight Collection from ten years ago).
  • Looney Tunes Super Stars Family Multi-Feature Vol. 2 (2017, disc two, possibly restored with DVNR, since it’s a reissue)
  • Looney Tunes Spotlight Collection Volumes 1-3 Repack (2018, DVD, possibly restored with DVNR)

Is/Was It on Streaming or Digital Download: Yes and no. It wasn’t on HBO Max (f.k.a “Max”) in the United States, but it did make the Latin American/Brazil feed (it was on HBO Max LatAM/Brazil from 2021 to 2024, then stayed on when it changed its name to Max). The Boomerang app had “Gift Wrapped” on from 2017 to 2024, while iTunes’ actual upload year is unknown, but it’s there and it’s the “restored without DVNR” version. And yes, this is one of the 700 to 800 Looney Tunes/Merrie Melodies shorts that Tubi uploaded last year (2025).

 

‘Til next time, Stay Looney, and Be Merrie.

Monday, December 1, 2025

Winter Break 2025

Because of outside obligations (work, mostly), “Drawn and Quartered” is going on winter break. There were plans on doing Censorship Reports on some Christmas/winter-based Looney Tunes shorts, like “Gift Wrapped” and “The Fright Before Christmas,” but I decided against it.

So, have a happy holiday (assuming you celebrate them) and, provided the world doesn’t completely fall apart, I’ll see you in 2026.

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